This is an excerpt from a podcast episode featuring Gary Seligson. Gary tells his reason for leaving a hit show (Wicked) for something new and untested (Tarzan) and how Phil Collins played an integral part in that decision.

To be notified of when it is released, subscribe to the Broadway Drumming 101 Podcast on Apple Podcasts, Spotify, or wherever you get your podcasts. The podcast features conversations with my colleagues who currently hold drums chairs, showcases talks with broadway drumming legends, and highlights up-and-coming drummers breaking into the scene.

For more on the topic, subscribe to Broadway Drumming 101. It’s your one-stop shop for everything you’ll need to know about playing drums for broadway musicals. When you subscribe to The Broadway 101 Newsletter, you’ll learn about what it takes to be a successful pit musician with content delivered directly to your email inbox two to three times a week.

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As a paying subscriber, you will receive behind-the-scenes access to the life of a musician who makes a living on Broadway.

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There is a lot to learn. Subscribe now, so you don’t miss out on the latest posts and podcasts! Subscribe to get full access to the newsletter and website. Never miss an update.

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Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar BoyzMemphis The Musical, Lady Day At Emerson’s Bar and Grill and Ain’t Too Proud.

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