This is an excerpt from a podcast episode featuring Gary Seligson. Gary tells his reason for leaving a hit show (Wicked) for something new and untested (Tarzan) and how Phil Collins played an integral part in that decision. To be notified of when it is released, subscribe to the Broadway Drumming 101 Podcast on Apple…
Read moreShannon Ford on the Broadway Drumming 101 Podcast – Drummer for “Beetlejuice”
SHANNON FORD grew up in Washington DC playing rock, jazz, blues, and country. He has performed and recorded with various artists in NY, Nashville, and LA, including Paul Simon, Larry Gatlin & The Gatlin Brothers, Phoebe Snow, Lou Christie, Kenny Rogers, Roger Miller, Danny Gatton, and many others. Shannon has spent the last 25…
Read moreShannon Ford (Beetlejuice) on receiving notes after subbing a broadway musical
This is an excerpt from a podcast episode Shannon Ford. Subscribe to the Broadway Drumming 101 Podcast on Apple Podcasts, Spotify, or wherever you get your podcasts. The podcast features conversations with my colleagues who currently hold drums chairs, showcases talks with broadway drumming legends, and highlights up-and-coming drummers breaking into the scene. For more,…
Read moreShannon Ford – Drummer for Beetlejuice on why you must bring your “A” game to each show.
This is an excerpt from the Broadway Drumming 101 Podcast featuring Shannon Ford. Shannon grew up in the Washington DC area where he was active in various school bands, local orchestras, and drum corps. While in High School, Shannon performed with jazz greats like Clark Terry, Urbie Green, and Mundell Lowe. The experience of…
Read moreShannon Ford – Drummer for Beetlejuice on why you must bring your “A” game to each show.
This is an excerpt from the Broadway Drumming 101 Podcast featuring Shannon Ford. Shannon grew up in the Washington DC area where he was active in various school bands, local orchestras, and drum corps. While in High School, Shannon performed with jazz greats like Clark Terry, Urbie Green, and Mundell Lowe. The experience of…
Read moreThe Best Producers On Broadway!
I’ve been involved in five musicals over the past 20 years as the drum position’s chair holder—three Broadway and two off-broadway shows. I started to figure out the producer’s role when I was at my second, Altar Boyz. When I booked my third musical and first Broadway show, Memphis The Musical, back in 2009, I…
Read moreHow To Use Social Media Effectively – A Broadway Musician’s Guide To Social Media Networking
In my post How To Become Better At Networking, I discussed five ways to begin building your network. Today, I will talk about social media and how to use it to your advantage. Fun fact: if you are a monster on your instrument but can’t seem to gather the strength and courage to talk to people…
Read moreThe Cure Is Worse Than The Disease – THINK THINGS THROUGH
“Lockdowns just have one consequence that you must never ever belittle, and that is making poor people an awful lot poorer.” “We in the World Health Organization do not advocate lockdowns as the primary means of control of this virus.” “The only time we believe a lockdown is justified is to buy you time…
Read moreAltar Boyz – I Believe
This show got me through some tough times-2005-2009. It paid for a lot of the expenses related to my divorce and kept me financially afloat during those unstable times. When I look back at these faces, I realize just how fortunate I was. Four years in one show? Pretty impressive. It’s nice to see so…
Read moreAltar Boyz
This was my second musical and the second cast album I was fortunate to be a part of. I had no idea how big this show was going to be and how long it would eventually run. It played 2,032 regular performances, making it the ninth longest-running Off-Broadway musical of all time. New World Stages…
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