The Only Reasons Why I Live In New York City-Reason 4

The only reasons why I live in New York City.  Number four and pretty much main reason right now…because the other three reasons are mobile: Ain’t Too Proud – The Life And Times Of The Temptations. If I wasn’t playing this show, I would stop playing the drums. I’m done. Had it. Been there and…

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The Only Reasons Why I Live In New York City-Reason 3

Number three: This lovely lady. This is our last airport selfie.  We started taking these selfies when I went away to work on musicals for a show’s “out-of town-tryout.” The first one I did was in 2013. That was when I discovered the beauty of California.  I went to cold-ass Chicago in January of 2015…

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Together – Ain’t Too Proud At The Imperial Theatre

After a few years of workshops, rehearsals, and performances in various cities, the producers gathered the cast, crew and a few of the musicians on stage yesterday and let us know that our musical Ain’t Too Proud is opening at the Imperial Theater on Broadway next year. It was a long road but we did…

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The Tempts!

“Through their sterling catalog and Trujillo’s exquisite recreation of their iconic steps, Ain’t Too Proud both delights audiences and highlights the immense legacy the group has left for acts that followed. To borrow from one of Baskin’s monologues, the Temptations have always been greater than the sum of their parts, and DC (and soon Broadway)…

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The Ain’t Too Proud Orchestra in D. C.

The orchestra for the broadway-bound musical  Ain’t Too Proud – The Life And Times Of The Temptations.at the Kennedy Center in Washington D.C.  Amazing musicians!  From left to right: David Jones -reeds, Keith Robinson – guitar, Joe Jackson – trombone , Danny Villanueva –  percusion 1, Clayton Craddock – drums, Kenny Seymour – musical director/key…

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Ain’t Too Proud – a few reviews

Peter Marks, Washington Post: On the basis of what’s on view in the Eisenhower, the slick and consistently entertaining “Ain’t Too Proud” is surely ready for Broadway, and a couple of the anchoring performances infuse it with enough dramatic life to sustain a 2½ -hour production. The antagonistic partnership between two of the five “classic”…

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