When laypeople listen to records, there’re certain things they’re going to get to. First of all, how it sounds to them. If the value of the song is based on intense analysis of music, you’re doomed. Because people that buy records don’t know shit about music. When they put on Kind of Blue and say they like it, I always ask people: What did you like about it? They describe it in physical terms, in visceral terms, but never in musical terms.

In a lot of ways classical music is in a similar situation to where jazz is, except at least the level of excellence in classical music is more based on the music than it is based on the illusion of reinventing a movement. Everything you read about jazz is: “Is it new? Is it innovative?” I mean, man, there’s 12 fucking notes. What’s going to be new? You honestly think you’re going to play something that hasn’t been played already?

So, you know, my whole thing is, is it good? I don’t care if it’s new. There’s so little of it that’s actually good, that when it’s good, it shocks me

Read more HERE:http://www.seattleweekly.com/2011-09-14/music/branford-marsalis-the-problem-with-jazz/