Some folks believe that hardship breeds artistic creativity. I don’t buy it. One can put up with poverty for a while when one is young, but it will inevitably wear a person down. I don’t romanticize the bad old days. I find the drop in crime over the last couple of decades refreshing. Manhattan and Brooklyn, those vibrant playgrounds, are way less scary than they were when I moved here. I have no illusions that there was a connection between that city on its knees and a flourishing of creativity; I don’t believe that crime, danger and poverty make for good art. That’s bullshit. But I also don’t believe that the drop in crime means the city has to be more exclusively for those who have money. Increases in the quality of life should be for all, not just a few.
The city is a body and a mind—a physical structure as well as a repository of ideas and information. Knowledge and creativity are resources. If the physical (and financial) parts are functional, then the flow of ideas, creativity and information are facilitated. The city is a fountain that never stops: it generates its energy from the human interactions that take place in it. Unfortunately, we’re getting to a point where many of New York’s citizens have been excluded from this equation for too long. The physical part of our city—the body—has been improved immeasurably. I’m a huge supporter of the bike lanes and the bike-share program, the new public plazas, the waterfront parks and the functional public transportation system. But the cultural part of the city—the mind—has been usurped by the top 1 percent.
In New York there has been no public
rejection of the culture that led to the financial crisis.
What then is the future of New York, or really of any number of big urban centers, in this New Gilded Age? Does culture have a role to play? If we look at the city as it is now, then we would have to say that it looks a lot like the divided city that presumptive mayor Bill De Blasio has been harping about: most of Manhattan and many parts of Brooklyn are virtual walled communities, pleasure domes for the rich (which, full disclosure, includes me and some of the Creative Time team), and aside from those of us who managed years ago to find our niche and some means of income, there is no room for fresh creative types. Middle-class people can barely afford to live here anymore, so forget about emerging artists, musicians, actors, dancers, writers, journalists and small business people. Bit by bit, the resources that keep the city vibrant are being eliminated.
Read the rest here: http://creativetimereports.org/2013/10/07/david-byrne-will-work-for-inspiration/